ter moved to Bologna, testifying to the exhaustion of the Ferrara school and the contemporary rise of a new artistic center. His altarpieces have a classical breadth, though they still show the fanciful taste typical of Ferrarese painting. Later he adopt
ed the soft and relaxed manner of \b \cf4 \ATXht1206 Perugino\b0 \cf0 \ATXht0 and \b \cf4 \ATXht1207 Francia\b0 \cf0 \ATXht0 , falling at times into mannered cadences and a tone of facile devotion.